Hello and welcome to Funky Seoul Corner! My name is Scott Freeman (aka DJ Free).
I have been living in Seoul, Korea now for many years teaching English, but one of my hobbies is to collect records, especially jazz, soul, and funk 45s. I currently have 550-plus 45s in my collection, and occasionally I have the opportunity to spin these tunes in various locations around Seoul. In so far as I know, I am the ONLY one in this city of millions who plays this kind of music out on vinyl. (I wish this weren’t the case because I would love to meet and collaborate with like-minded people!)
Thanks to the kind folks at Three Wise Monkeys, I now have the chance to share some of my 45s with you. Every week I will select and present a different 45 from my collection. You will be able to view the actual 45 being presented, you will be able to read my little blurb about that 45, and you will be able to hear one-side from that 45. Guaranteed these 45s are all original pressings—no reissues and no bootlegs—so you will be seeing and listening to the real thing. You can email me at firstname.lastname@example.org if you have any questions, comments and/or suggestions about Funky Seoul Corner. Now on to the music!
Funky Seoul Corner #3 features another 45 from Detroit, Michigan, U.S.A. (F.S.C. #1 was also a Detroit record.) What a lot of people don’t realize, or forget, is that Detroit was a hot-bed for musicians and the recording industry throughout the 1960s up until the 1968 Detroit riots. Most people can only think of Motown as coming from Detroit, but the reality was that there were tons of little labels in Detroit during this period. Many of these labels had only a handful of releases; some others fared better, perhaps staying afloat for a few years before returning to obscurity.
Stephanye Records was one such label. Stephanye was based out of Detroit, but only released three 45s circa 1966. Like the label, Roy Handy, the featured artist on this 45, is also something of an unknown. An on-line search revealed six releases to his name, the final three while being a member of the soul group, The Chosen Few, in 1973. Other than this information, I could find nothing else of significant value either about the label or the artist.
But if you look at the production and songwriting credits on the label there are some very well- known soul-world names. On the production side of things you have Gene Redd, a noted music producer at the time who, among other things, helped Kool and the Gang get started just a few years later. Also on the production side you have George Clinton. You may recognize his name from the mid-70s Parliament and P-Funk, but Clinton had been around a lot longer than that. I continually see his name pop up both as a producer and as a songwriter from his earlier days. Indeed, his name is listed on both the production and the songwriting credits for this single, too. His name as a songwriter stands along side Holland-Dozier, two thirds of the Holland-Dozier-Holland team that helped Motown claim nation-wide recognition. So Roy Handy’s single for Stephanye certainly had the backing of big-time names within the Detroit music industry of this era.
Check out the track and enjoy!
DISCLAIMER: Sound files are posted for educational purposes only.